Joy Karin's Filmography (34 фильма) / Фильмография Джой Каринс [1988-2000, Straight, Big Natural Tits, VHSRip, DVDRip]

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Описание :

Time for more Buttman nostalgia over the course of three scenes in this 1997 compilation, re-issued by Evil Angel on a low-price DVD, highlighting three alluring talents from England, Brazil and France.
Tracy Gibb (from Buttman's European Vacation Part 2, January 1992)
John Stagliano's interest in British magazine models is reflected in the appearance of this buxom blonde, though until I saw her sparkling performance, I must admit to being slightly puzzled both by John's interest and enduring fan appeal. As an avid reader of late '80s - early '90s British soft-core magazines, I felt other girls always overshadowed Tracy. Clearly, I wasn't seeing the whole story. This perhaps goes some way to prove the value of video in reflecting many personal qualities that are never fully demonstrated in magazine sets, possibly suggesting such soft-core imagery is actually more culpable in objectifying women than hard core movies where someone with genuine character can assert their own sexuality. Far from a proven case, I accept, but I am just floating the idea.
Anyway, this scene is one of those Buttman pick-ups that could be a tad sleazy if it wasn't a clearly played-for-fun set-up. Rocco, here in character as "Dario", and John, spot a striking blonde in hectic after-dark London. This is Tracy. The usual chat-up scenario leads to some stolen public gropes and flashes of boobs and stocking tops en route back to the hotel room, where we get to fully appreciate Tracy's charms. This enjoyable intro comes to a head, no pun intended, when Tracy collapses in giggles when she spies Rocco's knob. Perhaps it's the champagne they're sipping, but she seems like a very lively, fun girl.
Rocco eases her onto the bed and gets to work, opening her clothes and exposing parts of her fabulous buxom body, her big, soft, natural tits and going down on her furry pussy. She gives Rocco a quick BJ and teases John with her undies. There's a fair bit of good-natured banter going on here and through some more BJ, 69 and tit-fucking fun, but eventually it becomes a little more serious. Tracy gives a thumbs-up as she anticipates Rocco's entry, and off we go. Rocco's soon bending her into awkward positions, treating us to the sight of her tits in perpetual motion and the glorious shape of her legs, butt and back in doggy.
Ass-licking Rocco wishes he could fuck her in the ass, but it's not on. Still, it's no hardship to watch the sweaty, earthy sex, Rocco fucking her flat-out on the bed, and check her sturdy legs looking superb in stockings. From cowgirl, Tracy slaps Rocco with her tits; he slaps her ass and mauls those boobs. John nips in to quickly finger her, and there's delightful coverage of standing doggy with her hefty tits hanging. Further reverse cowgirl and missionary see both Tracy and Rocco biting and pulling out her nipples and large areolas, before a final tit fuck makes Rocco explode over her face. With a nice suck to finish the scene, Tracy sends it off with a smile. This is simply great fun, say no more. It's funny how you can really get the wrong impression about someone; suffice to say, Tracy's appeal is bloody obvious after seeing this little number!
Eduarda (from Buttman's Big Butt Backdoor Babes, July 1995)
Opening with a seemingly hung over John filming his shoes while loitering in an office where Stanlay Miranda, his Brazilian colleague, is holding an interview or suchlike, the action unfolds as a series of little dream-like interludes. With this gent taking a long phone call, a very full-figured, sweet-faced young brunette who sits coyly on the desk takes John's attention. Eduarda teases him and leads him to another room where the camera continues to explore her abundant curves wrapped in a tight skirt and top. She finds Alexandro, a guy with a mullet (!) in a cupboard (!!), and while she gives him a little BJ we finally see those knockout knockers, amazingly unsupported yet full and high.
It seems like John was only dreaming…but wait, he's back in the office, where Alexandro leads John straight back to that magic cupboard (hey, play along) and there's Eduarda. She lets him check out what's inside the panties that cling to the deep cleft between her mighty cheeks. A kiss, a grope, and he's down fingering and tonguing her sweet little a-hole, worshipping her butt as she wriggles around, demonstrating her natural appeal.
A ringing phone seems to bring John back from his dream, but again the sight of this voluptuous young woman, sitting nude on the desk, seems too good to be true. Her hefty bum leads John away once more, to a room where our mullet-sporting friend waits. Eduarda's tits, sticking out like a shelf, invite him to suckle, he eats her hairy pussy and fingers her ass. Admiration of her rear is John's focus during a blowjob and cowgirl sex, as Eduarda quietly straddles her man and milks his dick.
Reverse cowgirl shows off her outstanding tits, as I reflect that while Eduarda may look young, she is more than just a slip of a girl. She has a bit of a tummy, but she is good to watch. Sadly, I must also relate that the sex is not so hot, even when she's bent over a chair for doggy anal. It's more about panting gently and showing off her form. Moving to missionary anal prompts the notion that there isn't enough coverage of her face till the fellow showers her in come - yes, it's Buttman, but shots that capture reactions and personality are important too. Otherwise, this is a creative scene, perhaps a touch clumsy in execution, but fun enough even if the sex does fall short of the promise of the tease. It ends with John awakening in the office once more, and Stanlay saying how John's been asleep all day. So it was a dream after all. But then there's this girl with the big boobs straining her tight white top…
Joy Karins (from Buttman's European Vacation, August 1991)
John is shooting the sights of central Paris when the sunlight renders a tall, striking woman's long skirt semi-transparent, naturally grabbing John's attention. John's bumbling attempts at chatting up Joy seem to fall on the language barrier, though the knowing look in her eyes suggests she knows more than she's letting on, making this intro flirtatious fun. She wiggles off and John follows, finding himself being led to a familiar, ostentatiously decorated flat where she proceeds to tease the life out of him with her glorious, natural big boobs spilling over her too-small bra, her marvellous big bum and superb long legs. Joy, doubtless familiar to European porn viewers of this era, is not perhaps the prettiest girl in the world, but she is so damn sexy.
Natalie, a pretty brunette who is introduced as Joy's girlfriend, wanders in and starts groping, kissing and licking with Joy in some gentle, light-hearted play. It's interrupted by the sudden arrival of Philippe Soine, who mocks outrage at Joy picking up another American for business (!). This being porn, Philippe consents to fucking the girls for the camera instead of kicking John's head in! As Philippe mauls Joy's gros seins, I can't get over how young Philippe looks and ponder how jaded he looks in movies made just a few years later. It's a hard life.
So, Philippe endures having Natalie blow him before Joy virtually inhales his cock, balls-deep, as easily as she'd suck on a Gauloise. She delivers slow, sensuous oral with her tits wrapped round his cock. All the while Joy has this wicked, knowing, enigmatic look on her face. She rises to tease John more with her super form, her flowing, flowery garments cast aside. Though outshone by Joy's radiant sexiness, Natalie has a nice smile of her own, in evidence as she spreads her stocking-clad legs to straddle Philippe in reverse cowgirl.
Joy lets Philippe fuck her mouth, which comes easily to her with no gagging. Philippe then takes the Amazonian woman over the desk, pushing his cock straight into her tight ass for some very sexy, very erotic anal. Joy can't help but continue playing to the camera as Philippe returns to fucking Natalie in her pussy, picking her up and banging into her, and then her ass, in missionary, the latter being so slow and sexy that you can just about feel it. Philippe struggles to get off, though I wonder if he'd already popped accidentally, allowing Joy a few moments more to charm the camera before having Philippe's come splash her nose. The girls kiss and share the come but the sole black mark on the scene in my view is the abrupt end - there's noting wrong with lingering in the afterglow.
Overall
Although Buttman's Favorite Big Tit Babes is more than just a nostalgia trip - it's really a neat little compilation laden with top tease action - it's fun to look back and reflect on how things have changed, and how they stay the same. If today's porn is perhaps harder, most specifically in terms of attitude, better shot and more athletically performed, it's perfectly apparent that good scenes, which show sexy, attractive women demonstrating natural sexiness, getting naked and having fun, will, I hope, never go out of fashion.
That's what we have here, with playful enjoyment in abundance. Tracy and Joy's scenes offer better sex than the Eduarda scene, which is a touch frustrating upon reflection. Still, I learned something about Tracy and judging a book by its cover, I was charmed by Joy and intrigued by Eduarda - I can appreciate why John would pick out these girls for a compilation, a format, I should note, that I don't generally appreciate. I usually prefer getting the original movies, but in this case I can concede that, all in all, it's just great fun, and a good buy if retailers do pass the low price on to consumers, though note the DVD comments below. Now, all this nostalgia has given me a taste for seeing An American Buttman in London and Buttman's Bouncin' British Babes on DVD…what are the chances?
DVD Comments
First, I should point out, of course, that the camcorders (Hi-8, I think) John Stagliano uses in these old scenes offer nothing like the quality available today, so be warned the picture quality is grainy, somewhat weak in colour and certainly not up to contemporary standards. The shooting is occasionally (I guess deliberately) "amateur" in style and the lighting in the Joy scene in particular lends the picture that typical slightly unpleasant yellow tinge. None of this detracts from my viewing pleasure as the subject matter is bloody good, but it's worth taking note. The menus are not the full Evil Angel selection, no extra footage is on offer, but there's still a photo gallery, trailers, text biography and cast list. Note that this is supposed to be a budget price release - not all the vendors in the ADT price search seem to have realised this, so make sure your favourite supplier is charging the low price (as low as $12.95) not the usual Evil Angel price.

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